Get thee to a nunnery, I mean to the Geffen, as soon as possible to immerse yourself in James ljames’ very (very) loose take on the Shakespeare classic “Hamlet.”
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“Wicked Little Letters” is a luscious little movie, a sendup of an earlier era that was a surprising harbinger of things to come.
“The Animal Kingdom” is a curious work; a mix of many genres, all effectively intertwined and significant.
This year’s submission to the Oscars by Germany is a thought-provoking film that sends prickles of discomfort up and down your spine as you recognize yourself, others and society in general at this progressive middle school.
“Memory,” a searingly incisive film about loss and love, tears at you from many directions, some unexpected. Initially, the impression is given that the story is about connection, and it is but not necessarily in ways you think. Sylvia has just celebrated 13 years sober at
Adapted from Percival Everett’s novel “Erasure,” “American Fiction” tells a story of Black identity from many different, and always ironically funny, points of view.
“All of Us Strangers,” an enigma of a movie directed and written by Andrew Haigh based on “Strangers,” a novel by Taichi Yamada, will leave you off balance from its quiet, almost tedious start to its ending that may be only a beginning. Sound complicated?
Bayard Rustin is a name that should be on the lips of anyone discussing civil rights and its historic leaders.
Be careful what you wish for; it might come true.
Artist, actor, investor, restaurateur, patron of the arts, collector, and once again, artist. These are the many lives of Michael Chow.